Six surreal monochrome photographs from Armageddon by Augusto De Luca, featuring faces, symbolic objects and dreamlike imagery.

Armageddon: Augusto De Luca Explores War, Memory and Surrealism Through Photography

Italian photographer Augusto De Luca explores war, collective memory and human vulnerability in Armageddon, a haunting series of surreal and symbolic photographs.

In Armageddon, Italian photographer and artist Augusto De Luca explores the emotional and psychological echoes of war through a series of surreal, symbolic photographs. Inspired by the devastating conflicts that continue to shape our world, the project moves beyond documentary representation to examine human vulnerability, collective memory and the invisible traces of suffering.

Photography has long been a means of capturing reality, but in De Luca’s work, it also becomes a way of exploring what lies beyond the visible. Through carefully constructed compositions, evocative lighting and dreamlike imagery, familiar forms take on unexpected meanings, inviting viewers into a world suspended between reality and imagination.

Beyond the Visible

Ram skull with curved horns against a pale background in Armageddon by Augusto De Luca
Dark hand reaching toward a white abstract form in a surreal photograph by Augusto De Luca

Rather than depicting the violence of war directly, Armageddon approaches its consequences through metaphor and symbolism. Human figures, fragmented forms and unsettling visual elements suggest the emotional scars left by conflict, the silence of untold stories and the fragility of human existence.

The photographs draw on a surreal visual language in which reality appears altered, creating an atmosphere that is both haunting and contemplative. These dreamlike scenes do not attempt to diminish the suffering associated with war. Instead, they seek to amplify its emotional resonance, encouraging viewers to look beyond the immediate image.

Each composition offers space for individual interpretation, allowing personal experience and collective memory to meet.

Close-up of a sculpted eye in a dreamlike monochrome composition by Augusto De Luca
Two pale human faces separated by dark vertical lines in Armageddon by Augusto De Luca

Photography as Reflection

For De Luca, the relationship between photography and the metaphysical has long been an important part of his artistic exploration. In Armageddon, this approach becomes a means of reflecting on destruction, loss and the possibility of renewal.

Weathered wall with cracks and a small barred window in a symbolic photograph by Augusto De Luca

Drawing on the collective memory of war and the emotional impact of contemporary conflicts, the series explores the boundaries between reality, imagination and the psychological traces of human suffering.

Ultimately, Armageddon is not intended as a historical document, but as a visual invitation to reflect on the human cost of conflict. Through its symbolic and surreal imagery, the project asks viewers to confront difficult emotions, preserve memory and consider the fragile relationship between suffering and hope.

Hooded figure dressed in white standing with their back to the viewer in a surreal photograph
Surreal close-up of a pale face with an open mouth, from Armageddon by Augusto De Luca
Human skeleton reflected beside a dark vertical surface in Armageddon by Augusto De Luca
Vintage diving mask with round eye openings in a surreal monochrome photograph by Augusto De Luca

About Augusto De Luca

Augusto De Luca (born in Naples in 1955) is an Italian photographer and performer whose career began in the mid-1970s. Known for his experimental approach to photography, he combines precise framing, realism and metaphysical influences to create images that explore the relationship between form, symbolism and perception.

His work has been exhibited internationally and is represented in public and private photographic collections, including the International Polaroid Collection and the Bibliothèque nationale de France.

Maria Papaefstathiou

Maria Papaefstathiou is a Greek visual designer, poster artist and editor based in Athens, with over 30 years of experience in graphic design. She is the founder and editor of Graphic Art News, an international platform showcasing inspiring work in graphic design, typography, illustration and visual arts since 2010. Her creative work explores socially engaged poster design and portraiture, celebrating cultural figures from Greece, Jamaica and beyond. In 2011, she co-founded the International Reggae Poster Contest with Jamaican creative activist Michael “Freestylee” Thompson, connecting designers worldwide through art, music and social awareness.